Then there’s Babel. Honestly, when I first saw the trailer, I thought it was gonna be some cool Bible movie about the tower, but then it wasn’t. It’s a cool concept I’ve seen done before, and it sort of reminded me of Traffic without the annoying filters and Catherine Zeta Jones play acting. The film intersects three very different places as far from Morocco to Mexico to Japan and the USA. Brad Pitt plays a man whose made some terrible mistake that is never explained and his wife is Cate Blanchett (who I’ve really liked in certain films and hated in others). She is shot in a horrible random situation that the American gov’t way to quickly deams a terrorist action (which it is not) by a gun sold to a man from a hunting guide who received it from a Japanese business man on vacation whose daughter is a deaf-mute who is seeking some affection from anyone by trying to give up her virginity to anyone and everyone. Pitt’s children are being watched by the family’s illegal Mexican nanny who wants to go to her son’s wedding in Mexico. She can’t find a sitter and sneaks the two very white, blond haired children into Mexico. Sounds confusing? It isn’t until Pitt’s side of a conversation towards the end is the same as a conversation from the other end at the very beginning of the film.
Ever see those films that make you really really hope everything turns out ok? This falls into that category, but I honestly feared it wouldn’t. I thought people would die. They didn’t. Some people will be pissed when the nanny is eventually deported. Her comments that she’s made a good life for herself in the US during the past 16 years, and the INS officer’s heartless response was that she should’ve thought about that before she came illegally, gave rise to current Southwestern political issues. (No, she doesn’t get to stay. Oh well.) Some would ask why Blanchett (who can sometimes be awesome) wasn’t nominated (remember when she won for The Aviator? Brilliant), and my response was, why give some chick an Oscar for spending the whole movie writhing in pain and almost dying. The wrinkles around Pitt’s eyes bothered me. I don’t know if it was makeup or all the sun he gets in third world countries with Angelina. So let’s not be too cynical here. Rinko Kikuchi who plays the Japanese deaf-mute was nominated deservingly so. But I think that her nomination is her reward. My God, the girl doesn’t talk and is naked in the film. (This isn’t the porn awards.) Barraza, who plays the nanny, probably did the best acting in the film especially as she hobbled across the desert in her groom-mother gown trying to save Pitt’s kids. (One of whom I must add was played by Elle Fanning, Dakota’s little sister who doesn’t say a whole heck of a lot in this film, but does look like a younger, littler version of her talented bigger sister.)
This film is one of the most nominated with seven nods this year (I do NOT count Dreamgirls since the damn thing was nominated three times in the same category!). I can’t say if they will take Best Supporting Actress, but I sure hope they best lose director (come on, give Scorsese his due!) Should it be the Best Picture? Maybe. It’s up against The Queen (you know my opinion of that one), United 93 (just because it’s about 9/11 and Oliver Stone didn’t make it), a artsy Little Miss Sunshine, Letters from Iwo Jima, and The Departed, which is its biggest contender. The film editing was brilliant (I didn’t see Blood Diamond yet, so no comparison comments here) and the Score was wonderful. It definitely had The Queen beat on this one, but my problem with that was sometimes it was almost too loud, too over the top, and too annoying. Although the scenes when we hear (or don’t hear) the film from Chieko’s (Kikuchi) point of view are done very well! Ok, more later, my movie going maniacs.